Donald Teague is remembered mostly for his western fine art paintings. Teague did very few fine art westerns while he was an illustrator. His western output picked up when he stopped illustrating at the end of 1956. In the 1960’s, Teague’s westerns were virtually all painted in oil, and were of standard western scenes. Teague was not satisfied with his western work, and in the late 1960’s he shared his dissatisfaction with fellow artist Jack Swanson. Swanson suggested that he consider painting scenes similar to his western illustrations, and that he use watercolor. Teague took this advice, with a resulting shift in subjects and medium starting around 1969.
Around the same time, Swanson also suggested that Teague join The Cowboy Artists of America, CAA. Teague took this advice as well, and joined in 1969. Teague showed with CAA in 1970-1972, and 1977-1978. In 1978 he resigned after his painting Rendezvous With Wells Fargo was placed in the other media category, and not watercolor. Teague used gouache, also known as opaque watercolor, in this painting. The prevailing thinking at CAA was that watercolor meant translucent watercolor only – a line of thinking not shared by the American Watercolor Society and other authoritative organizations. Teague was awarded two gold and two silver medals at CAA.
Teague was part of the first National Academy of Western Artists (NAWA) show in 1973 – his painting Appointment In Town received the gold medal in watercolor. Teague continued to show at NAWA until 1983. He was awarded two gold and three silver medals at NAWA.  Â
Below is a fairly exhaustive sample of Teague’s western fine art paintings, presented chronologically, using the best available source.
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Newhall CA, 1941, watercolor, 14.5x21 1941. National Academy of Design 1941 exhibit entry
Work Stock, 1946, watercolor, National Academy of Design 1946 exhibit entry, B&W photo
Western Movie Set, 1948, watercolor, prelim, 9x13.5
Western Movie Set, 1948, WC, American Watercolor Society 1948 exhibit entry, B&W photo
Plaza Hotel Bar, 1951, watercolor, 20x30, American Watercolor Society 1951 entry. B&W photo
Ridin' Shotgun, c. 1957, oil, 14x18
Wagon Train, c. 1957, oil, 18x24
Round Up, c. 1957, oil, 14x18
Cowboys, c. 1960, oil, 14x18
Cowhand's Breakfast, c. 1960, oil, 14x18
Good Company, c. 1960, oil
Packing In, 1960, oil, 18x30
Sand And Sage 1, 1960, oil, 14x18
Sand And Sage 2, 1960, oil, 14x18
Sheriff's Posse, 1960, oil, 18x30
Stagecoach Arrival, 1960, oil, 18x30
Home from the Hunt, 1962, oil, 14x18
Cattle Crossing, 1962, watercolor sketch, 6x9
Cattle Crossing, 1962, oil, 18x24
Cattle Drive, 1962, oil, 14x18
Lone Rider, 1962, oil, 14x18
Pursued, 1962, oil, 14x18
The Chase, 1962, oil, 14x18
Packing In, 1965, oil, 14x18
The Formidable Sierra, 1969, oil, 28x40
Los No Invitados, 1970, watercolor, 20x30
Attack At Dawn, 1970, prelim, watercolor, 12x16. CAA entry
Attack At Dawn, 1970, watercolor, 20x30
The Posse, 1971, watercolor, prelim, 6x9
The Posse, 1971, watercolor, 20x30. CAA silver medal
Trouble Ahead, 1971, watercolor, 6x9
Waiting For Charlie, 1971, watercolor, 6x9
Waiting For Trouble, 1972, watercolor, 20x30. CAA gold medal
The Night Mail, 1973, watercolor, 20x30
Ambush, 1973, prelim, watercolor, 9.5x14
Ambush, 1973, watercolor, 20x30
Appointment In Town, 1973, prelim, watercolor, 9.5x14
Appointment in Town, 1973, watercolor, 20x30. NAWA gold medal
The Promised Land, 1973, watercolor, 20x30
Before The Battle, 1974, nocturne prelim version, watercolor, 13.5x9.5
Before The Battle, 1974, prelim, watercolor, 9x13
Afternoon Before The Battle, 1974, oil, 28x40
War Clouds Over The Little Bighorn, 1974, watercolor, 20x30. NAWA entry