Monterey Peninsula

With regard to his fine art, Teague is remembered mostly for his westerns and his travel-inspired works (e.g. European scenes).  Teague moved with his family from Encino (Los Angeles) to Carmel in 1949, and lived there until his death in late 1991.  During his lifetime, Teague stated many times that he didn’t do much work focused on the Monterey Peninsula, as so many other artists had covered or were actively covering the subject matter so well already.  And yet… in conducting my research, I’ve found roughly 40 works so far that Teague did where the Monterey Peninsula was the subject matter.

As Teague is still fondly remembered in the area, I present below everything that is presentable.  For works where images of both a preliminary and a larger finished work exist, I’ve presented both images.  Preliminary works for commissions were most likely destroyed at the end of the project, but may have been given to the buyer.  Please forgive some images that are slightly blurry, contain artifact, and/or are not precisely color corrected – I’ve done the best I can with the source material, which is slides taken when the works were created in most instances.  I’ve provided black-and-white images in a few instances where no color image exists.  The images are presented chronologically, earliest to last.  Measurements are in inches.

Pebble Beach Still Life, 1949, watercolor, 17 x 24 inches
Landing Sardine Nets - Monterey. c. 1950. Watercolor, 8x8. Courtesy of Casa Serrano
Plaza Hotel Bar, 1951, watercolor, 20x30, American Watercolor Society 1951 entry. B&W photo
The Mission San Juan Batista, c. 1951. Watercolor, 20x30
American Rose, 1953. Watercolor, 6x9
American Rose (Purse Seiner), 1953. Watercolor, 8x14
Fishing Boats in Monterey, c. 1953. Watercolor, 20x30
Sardine Boats - Monterey, c. 1953. Watercolor, 20x30
Photograph - Plaza Hotel saloon, San Juan Batista, 1955
Preliminary sketch for A Killer Came To Town, 1955. Watercolor, 11x14
A Killer Came To Town, The Saturday Evening Post, Sept. 24, 1955. Watercolor
Carmel River, 1967. Watercolor, 6x9
Point Lobos, 1968. Watercolor, 6x9
Point Lobos, 1968. Roberts commission. Watercolor, 20x30
Little Sur River, 1968. Watercolor, 6x9
Little Sur River, 1968. Watercolor, 20x30
Pacific Morning, 1968. Watercolor, 6x9
Little Sur River, 1969. Watercolor, 20x30
Little Sur River, 1969. Watercolor, ~14x18
Rain Over The Santa Lucias, 1969. Watercolor, 6x9
Rain Over The Santa Lucias, 1969. Watercolor, 20x30
Cannery Row sketch, 1969. Watercolor, 6x9
Cannery Row sketch, 1969. Watercolor, 6x9
Cannery Row sketch, 1969. Watercolor, 6x9
Cannery Row sketch, 1969. Watercolor, 6x9
Cannery Row, 1969. Watercolor, 6x9
Drawing for Cannery Row painting, 1970
Cannery Row, 1970. Watercolor, 20x30
View From Fish Ranch, sketch, 1968. Watercolor
View From Fish Ranch, prelim, 1970. Watercolor
View From Fish Ranch, final, 1970. 30x40, ?oil
Point Lobos, 1970. 30x40, ? oil
Carmel River, c. 1970. 20x30, oil. Courtesy of Monterey Museum of Art
Monterey Coast, 1971. Watercolor, 6x9
Storm Over Monterey Bay, c. 1971. Watercolor, 6x9
34th Crosby cover, 1975. Watercolor
34th Crosby program, page 1, 1975. Watercolor.
34th Crosby program, page 21, 1975
Carmel Valley, 1975. Roberts commission. Watercolor, 6x9
Pebble Beach, 1975. Roberts commission. Watercolor, 6x9
Pebble Beach, 1975. Roberts commission. Watercolor, 8x14
Carmel Mission, 1982. Watercolor, 6x9
42nd Crosby cover, prelim, 1983. Watercolor.
42nd Crosby cover, 1983. Watercolor.
42nd Crosby program, page 15, 1983.